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Editorial
04.2017
Titre 1

03.2017
Identity
L'Oulipo et les savoirs

01.2017
Poster
FaM

01.2017
Poster
EXPOsition: images DE sCÈne

Poster
12.2016
Post-Romantic

12.2016
Editorial
한글, les discours d'une écriture

Type Design
11.2016
T185

Type Design
11.2016
Atlante

Type Design
11.2016
Golgotha

Editorial
09.2016
RIP ( 1.1 )

03.2016
Editorial
Bartleby, the Scrivener

03.2016
Identity
Printemps de la typographie no.7

01.2016
Editorial
6th High School Annual Litterary Contest

12.2015
Editorial
Liberty

Type Design
11.2015
Garrido

06.2015
Poster
Bliss

04.2015
Editorial
Loterie Rue

Type Design
03.2015
Ptolemy

02.2015
Identity
Mnozil Brass

12.2014
Poster
Bell Biv Devoe

12.2014
Poster
Dej Loaf

12.2014
Poster
Young Cellski

12.2014
Poster
Satellite are closer (...)

05.2014
Editorial
8IJV

04.2014
Identity
Joyceland

Rafael Ribas


Contact

Mail
Instagram
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Education

2017–2019 Post-MA in Type Design, ANRT, Nancy
2015-2017 MA in Type Design, ESAIG Estienne, Paris
2014-2015 NSD in Graphic Design, HEAR, Mulhouse
2013-2015 BA in Graphic Design, ESMA, Montpellier

Experience

2016 Internship, J+T Kritis, Brussels
2016 Internship, Atelier Jérôme Knebusch, Frankfurt-am-Main
2016 Messine workshop w/ Alejandro Lo Celso, ESAL, Metz
2016 Pangramme: learning type design, editorial and exhibition design, Frankfurt am Main/Metz
2016 Blanc sous presse, workshop w/ Franck Jalleau & Raphaël Lefeuvre, Imprimerie Nationale, Douai
2015 A Letter From Sancho Panza To His Wife workshop w/ Jérôme Knebusch, HEAR, Mulhouse
2013 Internship, FANQ! Crossmedia, Lisbon

Work

Post-Romantic
Posters for romantic music concerts, set in Golgotha.
— 700×1000mm, screen print, January 2017
Titre 1
Titre is a magazine on things, which subject matter changes every issue.
#1 is a collection of self-written articles on typography.
— 150×240mm, 28 pages, April 2017
L'Oulipo et les savoirs
Sheet and fold for L'Oulipo et les savoirs, exhibition about the literary society of Oulipo, by students of École Estienne. Curated by Claire Tirefort and Karine Hulin, Bibliothèque des Grands Moulins, March 15 to June 10, 2017, text by Erell Guillemer, under the supervision of Julien Gineste.
— 210×297mm and 297×420mm, March 2017
Golgotha
Golgotha, a revival and extension of a set of capitals found in a 19th century french fantasy face catalogue from type founders Renault & Marcou.
— 180×270mm, 48 pages, Autumn 2016
T185
T185, typeface inspired by the city of Frankfurt am Main, its techno period, the bright and radical developments of Theodor Adorno, and the Jersey Club breaks.
— November 2016
FaM
Poster about the city of Frankfurt am Main or moving objects in a standard space. Set in T185.
— 700×1000mm, January 2017
Atlante
Type design based on a manuscript interpretation of a humanistic model. Work supervised by Michel Derre and Frank Jalleau.
— November 2016
한글, les discours d'une écriture
Thesis on Hangul, written under the supervision of Philippe Buschinger and Erell Guillemer, assistance of Jo Gyuyeon and Park Jun Woo, and including an interview of Victor Thibout.
— 170×240mm, 100 pages, December 2016
EXPOsition: images DE sCÈne
Wood- and Stereotype posters for an exhibition gathering visual production around performing arts. Curated by Erell Guillemer, École Estienne, January 31 to March 6, 2017. Setting and printing w/ Antoine Elsensohn and Guillaume Letellier.
— 400×620mm, January 2017
RIP ( 1.1 )
Yearly revue de poésie curated by Antoine Dufeu & Frank Smith. This 1st issue invites multiple ways of reading, blown up or continuous, plane or in depth. In collaboration with Héloïse Laurent. Available here and on www.ripforever.xyz.
— 180×270mm, 240 pages, September 2016
Bartleby, the Scrivener; A Story of Wall Street
Paperback book joining Hermann Melville and Gilles Deleuze again, along with stills from Goddfrey Reggio's Koyaanisqatsi. The book seeks to confront views on how human nature can be challenged by technological outbreaks.
— 110×180mm, 304 pages, March 2016
Printemps de la typographie no.7
Poster and invitation card for the Printemps de la typographie, annual typographic symposium taking place in Paris and organized by the students and professors of the MA Type Design of école Estienne
— poster : 600x800mm, card : 150×210mm, March 2016
6th High School Annual Litterary Contest of lycées Fénelon, Henry-IV and Louis-le-Grand
Proposal for the annual novel contest between students from Parisians high schools lycées Fénelon, Henry-IV and Louis-le-Grand. The pamphlet contains the four awarded novels illustrated by the students of École Estienne's gravure workshop.
— 140×200mm, 68 pages, January 2016
Ptolemy
Revival of the type used in Cosmographia by Claudius Ptolemaeus,
atlas printed by Lienhart Holl in Ulm, 1482. — workshop by Jérôme Knebusch, HEAR-Mulhouse, march 23 to 26th, 2015 w/ Caroline Amadei, Gyuyeon Jo, Margaux Lopes, Stéphanie Thiriet, Lina Kahal, Alix Sanchez, Adrien Joufflineau, Julia Pinter, Marion Coudert de Masi, Rafael Ribas, Louis Fouilleux, Axel Bidault, Aline Riou
Liberty
Film program and timetables for the Liberty,
movie theater in Monsempron-Libos, 47500, France.
— 525×210mm, December 2015
Bell Biv Devoe
Poster collection for New Jack Swing band Bell Biv Devoe.
— 600mm800mm, December 2014
Garrido
Type design inspired by 19th century french "Belle Époque" typefaces.
— ongoing
Loterie Rue
Editorial study on the relationships between text & image, in an analysis of the losses and gains of automatically generated translation. The original texts are from Young Scooter's mixtapes Street Lottery I & II, 2013-2014, 1017 Records.
— 200×270mm, 88 pages, April 2015
Young Cellski
Poster collection for Bay Area rapper Young Cellski.
— 600×800mm, December 2014
Dej Loaf
Poster collection for Detroit based rapper Dej Loaf.
— 600×800mm, December 2014
Mnozil Brass
Visual identity proposal for the Mnozil Brass tour celebrating the bicentenarial of
Richard Wagner's death.
— booklet : 200×280mm, 28 pages, poster : 895×1280mm, leaflet : 210×400mm,
February 2015
Bliss
Poster for Wu Tsang's 2-channel film A Day In The Life Of Bliss featured in the installation Moved by the Motion.
— 600×800mm, July 2015
Satellites are closer (to god) than they appear
Unseen and collecting terrestrial data at all times, did man built material gods ?
— posters : 594×841mm, December 2014
8IJV
Pamphlets of experimentations around the matter and the receipt of information.
— 150×210mm, 16 pages, May 2014
Joyceland
Poster and invitation card for Joyce Pensato's Joyceland.
— poster : 600×800mm, card : 130×210mm, April 2014